The RIAA is at it again

riaa-jews.jpg

The Jews that run the Recording Industry Association of America (RIAA) have taken the next step in protecting their monopoly.

They have now declared you a criminal if you buy a CD and copy it into your computer.

In a federal case against Jeffrey Howell of Scottsdale, AZ, the RIAA’s lawyer Ira Schwartz says it’s illegal for someone who has legally purchased a CD to transfer that music into his computer.

"I couldn't believe it when I read that," says Ray Beckerman, a New York lawyer who represents six clients who have been sued by the RIAA. "The basic principle in the law is that you have to distribute physical copies to be guilty of violating copyright, but recently the RIAA has been saying that even a personal copy on your computer is a violation."

YOU’RE NOT GIVING THE WHOLE STORY!

Most people think the media is misleading the public. They say the RIAA is justified in suing Jeffrey Howell because Howell translated a legally purchased CD into MP3 format and put it into his shared file.

The masses are naïve and incorrect.

The RIAA’s lawsuit says Jeffrey Howell is guilty of “unauthorized copying.” Therefore the RIAA is suing Howell for copying a CD, not sharing it.

The RIAA’s legal brief says on page 15: "Once Defendant converted Plaintiffs' recordings into the compressed .mp3 format and stored them in his shared folder, they were no longer the authorized copies distributed by Plaintiffs."

So we’re back to “unauthorized copying.”

In October 2007, Jammie Thomas of Minnesota was ordered to pay $220,000 to the RIAA – i.e., $9,250 for each of 24 songs she allegedly shared online. At the trial, Sony BMG's chief of litigation, Jennifer Pariser, testified that, "When an individual makes a copy of a song for himself, he stole a song. Copying a song you bought is a nice way of saying 'steals just one copy’.”

It is the RIAA that uses the media to mislead the public. For example, if a respondent to an RIAA lawsuit gives a statement in a deposition, the RIAA and the media treat this as testimony at a trial. This is blatant deception. In the U.S. system, a deposition is part of the “discovery” process. Both sides use "discovery" to get information -- not evidence for an upcoming trial.

The NY Times further misleads the public (on behalf of the RIAA) when it publishes RIAA legal briefs that never actually get to court, or when the Times echoes false RIAA claims that, “Record companies have sued tens of thousands of people for violating the copyright laws by sharing music on the Internet.”

Here are some more RIAA fun and games…

IF THE KID HAS NO MONEY, SUE THE PARENT

This is a standard RIAA practice.

Examples…

The RIAA sued a New York mother (who is crippled with multiple sclerosis) because her teenaged daughter downloaded songs.

The RIAA sued another New York mother, Patti Santangelo, because her children, Michelle and Robert, downloaded music. The RIAA even blackmailed young Robert’s best friend into making statements against him.

The RIAA sued a Michigan mother – Candy Chan – because her daughter Brittany (age 13) downloaded music files.

In another case, the RIAA sued Briana LaHara (aged 12) for $90,000. When the RIAA couldn’t get any money, it offered to “sell” the $90,000 lawsuit for $2,000.

This is another aspect of the nightmare. The RIAA files lawsuits for a gazillion dollars, and then “sells” the lawsuits to collection agencies, who know they will only get a tiny fraction of the settlement. A parasitic industry has grown up around RIAA abuses. Defense attorneys refer to this criminal network as “organized music.”

The music industry established a huge collection agency in Seattle – the Settlement Support Center LLC – designed to harass people. It calls victims up out of the blue, and falsely claims the victims have been sued by the RIAA. When victims question this, the Settlement Support Center trashes victims’ credit ratings, and smears their names in the media.

Boiler room law firms do the same thing for the music industry. They send letters to victims, claiming the victims have been “sued,” and demanding payment NOW, or the victims will be dragged into federal court. Naturally, enough victims respond to keep these evil outfits in business.

One women sued the Settlement Support Center, and the RIAA dropped its “case” against her.

THE RIAA EXPLOITS ORGANIZATIONS IT KNOWS WON’T FIGHT BACK

In September 2007, the RIAA subpoenaed the University of Oregon, asking the university to identify 17 students that allegedly traded songs on a file-sharing network. Oregon state attorney general Hardy Myers filed a motion to quash the subpoena, accusing the RIAA of misleading the judge, violating student privacy laws, and engaging in questionable investigative practices.

This was an interesting case, because organizations like the RIAA only have power if they can get other organizations (like the University of Oregon) to act as policemen.

Indeed, on 14 May 2007, WUFYS noted that former Attorney General Alberto Gonzales introduced legislation calling on the Department of Homeland Security to police music for the RIAA, and to make “copyright infringement” punishable by life in prison, plus fines of over a million dollars.

The RIAA employs services like MediaSentry, which use data mining techniques to probe American citizens and obtain confidential information unrelated to copyright infringement, thereby violating laws that require investigators to be licensed.

And yet the RIAA calls YOU a criminal.

Often the RIAA often doesn’t even use its own attorneys. Instead, it gets attorneys from the “big four” (EMI, Vivendi Universal, Sony BMG and Warner Music) to go after victims.

IT’S NOT TERRORISM WHEN WE DO IT

When the University of Oregon declined to become an RIAA policeman, the RIAA said the university was following a “political agenda.”

So it’s not a political agenda when the RIAA does it. This is like warmongers and Zionists saying, “It’s not terrorism when we do it.”

As we all know, the only difference between “terrorism” and a “war of liberation” is the size of the budget. So it is with the RIAA. Tyranny always refers to resistance as “terrorism.”

THEY ONLY WANT TO HELP YOU

The RIAA claims it sent 4,000 letters to more than 150 colleges and universities, offering students “bargain settlements” of $3,000 if the students acted fast by punching in their credit card number at P-2P Lawsuits.com.

This is like those e-mails sent out by people claiming to have inherited billions, and offering to share the treasure with you, provided you give out your credit card number. The scammers know that the only one tenth of one percent of people will respond, but that’s enough to yield a tidy sum.

Likewise the RIAA sends out threatening letters knowing a certain percentage of the letters will pay off. “Just give us your credit card number, and all will be well. It’s fast, convenient, and easy with online service!”

Since it costs victims an average of $5,000 to hire a defense attorney for such cases, the RIAA sends out letters demanding $3,000. The RIAA calls this a “bargain settlement.”

The letters are sent to universities, which forward them to students. The universities are under no legal obligation to do this, but if the RIAA receives no extortion money from the students, the RIAA threatens the universities, whose bureaucrats quickly submit.

This is how power accrues to evil agents such as Zionism and the Jewish-controlled RIAA. The average person feels that if something doesn’t affect him personally right now, he might as well submit. “The lion is not about to eat me, so I don’t care if there are lions around. I’ll just go on grazing.”

Most universities submit. The NY Times says, “In 2004 a different university in Oregon – Portland State -- responded to an RIAA subpoena by providing the names, addresses, phone numbers, and e-mail addresses of two students. The university could not say which student’s computer was involved, so it provided the names of both students.” The RIAA didn’t know which student to go after either, so it demanded $4,500 from each of them.

This extortion racket allows the RIAA to avoid having to prove its case in court. Indeed, newspapers treat any legal brief by the RIAA as though it’s a court-entered document.

Also, notice how the RIAA – like Zionism -- only preys on the weak. The RIAA goes after universities, but not large corporations where employees download on high-speed connections. Reason: a corporation would fight back.

Nor does the RIAA go after huge companies like Nokia, which markets a cell phone that stores 3,000 songs – the equivalent of 250 albums – or Sony, whose Walkman cell phone can store 500 songs.

IT’S ALL ABOUT PROTECTING A MONOPOLY – AT YOUR EXPENSE

In the old days, people taped music from the radio and vinyl discs, replayed it, and passed it around to friends. Today people do the same thing with CDs legally bought in record stores. But now we have the RIAA.

Defense lawyers point to a series of court rulings over the last few decades that found no violation of copyright law in the use of VCRs and other devices to time-shift TV programs. Such programs allow citizens to make personal copies for the purpose of making portable a legally obtained recording.

When files are shared, no money changes hands, and no one is deprived of something they once owned -- yet the RIAA accuses its victims of being “criminals” and “thieves.” They claim that files shared means sales lost – yet they have never come close to proving this false claim. On the contrary, CD sales are as hot as ever.

In any case, this is not about file sharing, or sales lost. It’s about their power to determine what you hear. When you share files, you listen to artists that may not be under the control of the RIAA and organized music. Your taste is expanded. You are exposed to alternatives.

Organized music cannot allow this. They want to control your mind.

They are gods.

You are a criminal.

Posted in Submitted by Abdul Alhazred on Thu, 2008-01-03 15:19.

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And that is why music stores are going out of business. And that is why the RIAA is trying to frighten everybody.

I found an interesting Rolling Stone article that gave a breakdown of the costs of a music cd:

This breakdown of the cost of a typical major-label release by the independent market-research firm Almighty Institute of Music Retail shows where the money goes for a new album with a list price of $15.99.

$0.17 Musicians' unions
$0.80 Packaging/manufacturing
$0.82 Publishing royalties
$0.80 Retail profit
$0.90 Distribution
$1.60 Artists' royalties
$1.70 Label profit
$2.40 Marketing/promotion
$2.91 Label overhead
$3.89 Retail overhead

The breakdown is a little misleading because it gives three different entries for what essentially makes up the label's cut: Marketing/Promotion, Label Overhead and Label profit. You will note that the Label's cut adds up to $7 on a $16 cd.

The retail cut is nearly $5. There's also this "distribution" ($0.90) cost that might arguably also go to the label, which would make their cut $8.

"Packaging/manufacturing" costs $0.80? (You will note that blank cds retail for about $0.20.) I really doubt the cd costs $1.70 to make it and ship it to the store.

The Artist and music publisher look to be getting about 10% and 5% respectively. But I've heard that new artists only get about 5% as well.

The point is, if the labels and retailers took less money, they could sell more cds. I think they could easily sell cds for $7, and maybe as low as $5. Since the artist and publisher are paid on a percentage basis, their take would go down with the price of the cd. The artist would get $0.50 an album, but would sell many more of them.

Personally, I would buy a lot of cds at that price. (As it is I download my music legally from itunes at $0.99 a song, or $10.00 an album. I would much prefer to have the solid cd just in case my hard drive crashes.) If cds were that cheap, you couldn't keep people out of the stores and the RIAA wouldn't feel compelled to go around twisting arms.
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"Stop judging by appearances, but judge justly."

Christopher Marlowe | Fri, 2008-01-04 12:44

All newish CD's sound quality is SHIT.

The buying public does NOT buy Shit sounding CD's PERIOD.

Product Crap

Profits CRAP.

Simple.

First you take D.C. Then you take New York (:

Masher1 | Fri, 2008-01-04 13:10

..less than 10 bucks, and sales would double, leave the artist's take the same and streamline their fat_fascist-pig corrupt_oration to maintain high profits, if they're greedy (sic).

..and sue S0NY and the rest of the CD-R and MP3 technology manufacturers you F_iNG cowards!! pickin on crippled mothers, they really deserve to...

THIS IS ABOUT YOUR FREEDOM OF INFORMATION

..the quality is pretty crap on the new cd's isn't it!
thought t'was just my tinny ear..
sss...



al-quack?!

Grim Reaper | Fri, 2008-01-04 13:43

You both agree that quality of recently produced CDs has gone down.

Has the engineering deteriorated? I have not bought a new music CD for ten years or more. I've bought some older used ones, but I download most of the music I listen to.

Has this deterioration occurred in most CD makers, or just some of them?

Just curious.

Also, I agree that organized music would have better sales if the record labels were less greedy, but I still maintain that the real goal is not connected with sales, but with determining what you hear. The RIAA and the "big four" want sole power to decide what music you listen to.

When you share music via the Internet, you discover artists that are outside the record labels’ sphere of control. Many web sites sell good music, but have no connection whatever with any of the big record labels. An example (chosen totally at random) is musician Ron Lloyd out of Idaho. I can think of about 20 other musicians that do the same thing.

Without the Internet, we would never be exposed to such people.

I think this is the main reason the RIAA and the big record labels want to shut down ALL file sharing on the Internet.
The big labels want all the money, and want to control all sources of sales revenue.

Abdul Alhazred | Fri, 2008-01-04 15:08

their sales, even for mainstream corporate tripe, go UP because people discover new artists, including ONES NOT SOLD_OUT, which is the only REAL thing i can see them losing out on, NOT SALES.

howabout freedom from f*ing nazis coming to your home over bullshit mp3's issue, then having the shills screw with
your credit?!

i am not a sound expert, but the last cd i bought sounded about the same or worse as the FLAC files i had, when the quality of CD's have always been higher because you lose quality for some reason when copying cd's, just like tapes!

i think perhaps some new artists are using some cheap digital equipment? couldn't tell ya.

Grim Reaper | Fri, 2008-01-04 15:27

I don't think the quality has gone down. My cousin burns cds for me. It all sounds good. Last time I bought a cd was in 2002.

What has gone down in quality is the message in music.

The chord patterns have become dull and ordinary...nothing creative, nothing abstract.

The lyrics are boring...they all say the same thing.

It's easy to be a musician today because you don't have to be one. You just press a button. You have automatic musicians.

I can't listen to the current music. I need pain medication for the headache I get when I hear junk on the radio.

Rhiannon | Fri, 2008-01-04 21:34

picture didn't come up

......that's too bad. damn good picture.

Rhiannon | Fri, 2008-01-04 21:42

pretty amazing sand sculpture. thanks for sharing.

As far as I'm concerned, "copyrights" are one of the most diabolical legal fictions concocted by man, second only to interest.

Copyright holders say to the world "I am superior, you are inferior. Therefore, pay me."

I say - go to hell.

Brotherhood is about SHARING - especially, that which by its very nature can be shared at minimal cost.

---------------------------------------
"Money" has no value - people do.

qrswave | Sat, 2008-01-05 09:26

Most Commercial new mainstream releases suffer from plain old bad engineering. Not all suffer. But if Mr Kazar has a hand in then the product is coming from a mind that does not get even one part of a musical rendering process and they taint the final product with ignorance of the art of doing high level sound mixes.

The real artisans are on vacation with the KAZAR running the houses. padding out the music with all manner of signals from the output of a NSA/CIA/DIA supercomputer.

You hear it as noise. Us EARS hear some other things going on.

The independent artists with the time for thought and a home setup that they can leisurely deal with the agony of the MIX versus the limits the realm imposes are doing work look for it in the FREE zones like MS and FB and Radio for All (:

I would only go for the true no house recordings. True they are far harder to find but the PAY OUT is stellar.

As with anything there is always exceptions though.

But looking at the source of the CD plus the relative popularity in this Bull Shit fake environment at the stores will give you a pretty good idea if you should buy or pass.

The Kazar MoneyChanger is using the NEWS,PRINT,PERIODICAL,MUSIC and NET to do evil to you and they own a LOT OF IT!

See the hard to see. Avoid the EASY paths.

First you take D.C. Then you take New York (:

Masher1 | Sat, 2008-01-05 11:42

that you should mention mind control through sound, it is ABSOLUTELY possible.

just what degree of control, i have no idea, but there are many weird recordings of this nature.

Grim Reaper | Sat, 2008-01-05 11:52

This all has NOTHING to Do with Money.

The AUDIO is far more important to mass influence than they will ever admit. There going to all manner of trouble to improve your reception of THERE signals from there output with there additions like SAT radio.

Compare a land signal with it's counterpart from a sat and they are fundamentally different signals even though they came from the same source.

Brainwashing is a widespread business Best done in the low noise envionment of the digital music realm.

I pass totally on the DIGITAL music.

First you take D.C. Then you take New York (:

Masher1 | Sat, 2008-01-05 11:53

have a chance to snoop in a church check out the Quality of the sound system. Pay close attention to the power of the SUB woofer system.

I know Plenty of tricks in audio.
Some Make you cry,Weep or cause a lump in your throat. Some Cause panic,terror,dread and fear.

An Old and precise game.

Going FULL TILT now!

There is a reason not to listen to your idiot box.

First you take D.C. Then you take New York (:

Masher1 | Sat, 2008-01-05 12:00

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