Remembering Rachel

The fifth anniversary of the death of Rachel Corrie is commemorated this week by the publication of her journals: Let Me Stand Alone. It also sees the performance of a play based on her life in Haifa. Rachel was killed by the Israeli army in Gaza on March 16 2003, while she was working with the International Solidarity Movement (ISM). Though I never met her, I was an organiser for the ISM at the time of her death. Her journals brought back many memories.

In the Easter of 2002, my wife, the Palestinian film-maker Leila Sansour, began a documentary about the ISM presented by comedian Jeremy Hardy. The result was cleverly titled Jeremy Hardy v. the Israeli Army. The ISM were then just eight months old: this would be only their third campaign.

We met the latest volunteers in a Bethlehem hotel, an extraordinary, eclectic bunch. Many of the Americans were retirees, Jews and Christians who had backgrounds in the US civil rights movement. The younger activists, especially those from Britain and Italy, came from the growing anti-globalisation movement. Old and young, all were enthusiastic about the idea of persuading internationals to join Palestinian demonstrations against the occupation. The theory was that the presence of foreigners would deter violent Israelis reprisals while making the marches more attractive to a jaded international media.

This was a particularly violent time. The suicide campaigns against Israeli civilians were at their height. Israel was in full control of the West Bank and Gaza, but had abandoned anything resembling normal police methods: using F-16s to bomb office and apartment blocks and field artillery to shell Palestinian neighbourhoods.

Extra-judicial executions - lynchings - had become commonplace. In this climate, anything that might strengthen the kind of non-violent resistance associated with Gandhi and Martin Luther King would be welcome. There is a century-long tradition of non-violent resistance in Palestine, including strikes and demonstrations. Even today, it is easy to find peace marches filled with grandmothers and children. Unfortunately, they tend to trot twice around a local landmark, before everyone stops for falafel. The threat of violence makes a march that actually confronts the army too much of a risk.

We discovered just how risky when we joined a crowd of mostly foreign protesters and came under fire from an Israeli armoured car. Leila's film captures the moment a young Australian woman is shot in the stomach - one of a dozen people injured that day. In the next week, I was shot at again, this time when I was alone. The soldier used a heavy mounted chain gun similar to the one that later tore the face off Brian Avery, another ISM activist.

Then, that summer, an Israeli security officer pressed a pistol to my head as he hissed threats. Given these and other experiences, I should have been prepared when Tom Hurndall and Rachel Corrie were killed. Nor were they the only ones: Brian Avery and Caoimhe Butterley, both ISM, were seriously injured in shootings, while UN representative Iain Hook and TV cameraman James Miller were both shot dead.

The assumption underlying ISM strategy was wrong: internationals were no more safe than Palestinians. I should have known this, but persuaded myself that my early experiences were isolated events. I left the ISM later that year, not because of the violence, nor even because I was encouraging young people to enter dangerous situations. I left because of the culture gap.

I joined the ISM, inspired by the older activists I met during the making of my wife's film. I liked the anti-globalisation kids, too, but there were huge gulfs between us. Non-violent resistance, as practised by the ISM, depends upon "consensual decision-making". In Palestine, these sessions helped build trust. But once we set up an ISM chapter in London, consensual decision-making lost its appeal. For many activists, the process is appealing in itself: it is direct democracy in action. To me, it is a crashing bore. Worse, I began to feel that long drawn-out discussions favoured only the most stubborn or stupid person in a room. I was out of place.

In one of her emails to her mother, Rachel Corrie asks if she could persuade her father to "sabotage his neoliberal job". My response would be, why on earth would he want to? I was slow to realise that neoliberal had become a term of abuse. Yet I enjoyed the company of these activists, anarchists, eco-warriors and anti-globalisers. Rachel's journals are the work of a woman who was restlessly inquisitive, open to new experiences and always ready to test her opinions and move beyond her comfort zone. These are qualities that lift the heart. They also got her killed.

http://commentisfree.guardian.co.uk/nicholas_blincoe/2008/03/remembering...

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An Arabic-language production of My Name is Rachel Corrie, a play based on the writings of a young American woman killed by an Israeli bulldozer, premiered in Haifa, Israel on Sunday.

Corrie's parents attended the performance, which took place on the fifth anniversary of her death.

"I can't think of any more appropriate place to be... than with all of you. Even when we are back in the United States, our hearts are always very much here," Cindy Corrie, Rachel's mother, told the audience.

Her 23-year-old daughter, originally from Olympia, Washington, was killed in Rafah, Gaza, in March 2003 while trying to prevent a house demolition during a period of heightened violence in the Israeli-Palestinian conflict.

Eyewitnesses report that she was crushed by an Israeli military bulldozer, but a government investigation later cleared the army, which said it was operating in a security zone close to the Egyptian border.

According to United Nations Relief and Works Agency (UNRWA), 2,370 houses were destroyed by the Israeli army in Gaza between September 2000 – the start of the second intifada - and September 2004.

Rachel in Arabic

Last night's production, by Haifa's al-Midan theatre company, was an adaptation of the British original, a one-woman play based on the evocative emails and diary entries kept by Corrie before and during her time in Gaza.

"It is a blessing to have the opportunity to act such a beautiful mind, spirit, soul and heart," said Lana Zreik, the Arab-Israeli actor who received a standing ovation for her portrayal of Corrie.

Several audience members, including Corrie's mother, said it was "especially resonant" to hear her daughter's words spoken by a Palestinian woman.

Al-Midan's Arabic-production contained slight variations of the original. "Our audiences know what happened in Gaza, they know about the things that Rachel describes," said Riad Masarwi, who directed and translated the play with Zreik.

"Because of that, my direction was to find out what was in the head of Rachel, the heart of Rachel... to look at the question, what makes a 23-year-old woman leave Olympia, America and come to Palestine. Why?"

Fiery reception

Colleagues hold Corrie's body after she was
killed by an Israeli bulldozer [GALLO/GETTY]
The play has already appeared in several countries, including the US, Canada, Peru, Sweden and Greece, and sparked all kinds of reactions.

When it premiered in London in 2005, one critic described it as "a stunning account of one woman's passionate response to a particular situation," while another observed that some scenes contained elements of "unvarnished propaganda".

Last night's audience was almost entirely Arab-Israeli – the majority of Jewish Israelis do not know Arabic and the Hebrew-language media did not comment on the event.

Some hope that Hebrew subtitles will be featured as the play tours mixed-population cities like Jerusalem and Jaffa later this month, before it stages in the West Bank.

"We don’t live in Gaza, but we see all these difficult things about it on the news," said Ferial Khaschiboun, from Haifa, who attended the play's Arabic-language premiere.

"Now we saw a foreign woman talking about our country in this way, with this emotion. It was fantastic –and it broke my heart."

'Something very moving'

"If a Palestinian were to tell the same story it might be routine, but Rachel’s thoughts and words convey something different, something very moving"

Mohammad Zeidan, audience member

Mohammad Zeidan, an audience member from the Arab village of Arara in northern Israel, said, "I have seen Rachel alive tonight, that’s how it felt."

"If a Palestinian were to tell the same story it might be routine, but Rachel's thoughts and words convey something different, something very moving."

That, said Rachel’s mother, is precisely the purpose of the play.

"It is so easy for people to detach from Gaza, from the horror of it, completely," she said. "I feel like that's what Rachel left me to do, to keep people coming back to what is happening there."

The Nasrallah family in Rafah, Gaza, whose home Corrie had been trying to protect when she was killed, wanted to attend the performance in Haifa but were refused permits to enter Israel.

Rachel's father, Craig Corrie, implored the audience to rally for change.

"We need to work together to make those walls come down, the walls around our hearts and the prison that kept our friends from coming here tonight."


joe2 | Thu, 2008-03-20 02:59

is a very symbolic way to kill someone; like a bug.

it is very sad,

thanks anways guys.

would post a drunk settler, but not on the same page.

Grim Reaper | Thu, 2008-03-20 07:24

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